Thursday, January 24, 2013

Trifles Response

There is this saying that goes "it's the little things that count"which immediately defines the title, "Trifles". I am not particularly a fan of this proposal because by stripping away the naturalistic setting of the play, it's also stripping away what this play stands for. If "Trifles" was set in such an abstract form, it would work, but a lot of that banks on the creative minds of the director and actors in order to portray to the audience how unkept the Wright's house looks or what the block that Mrs. Hale almost sits on signifies. The acting choices need to be bigger and stronger for the audience to be able to step into the world as well. A theatrical approach would also give the play a different response that is geared more towards the characteristics and question the situation of Mrs. Wright killing her husband. The circumstance would be viewed more as a whole than in individual pieces because you're asking the audience to use their imagination for the most part. To imagine a rocking chair, to imagine a quilt decked in different colors and everyone's imagination would be different, so everyone would leave with a different outcome of what they saw than what was written. It is an interesting exploration of dialogue though, something that would benefit the actors during the rehearsal process so they can find and reach that connection between one another. As a whole, the elements in "Trifles" are put in their for a reason, to show the audience what everyone misses out on when their looking at the big picture. For example, the birdcage the women find in the cupboard links to the dead bird with it's neck wrung, wrapped in a cloth, and makes complete sense as to why Mrs. Wright's sewing became eschew on specific patch of the quilt. It's suppose to be visualized for a reason.          

3 comments:

  1. I also think that partically the reason for defining in the script these details, whether they were there physically on set or not, is simply to showcase that these items are of signicance. I do wish they would display these items if nothing else because I must say from my standpoint I do have a visual appetite. It adds more to the set and honestly lets just say the cast for this production was less than par, I would hope something on stage would keep my interest. Otherwise, I agree, it is for visuals but the example of Elephant's Graveyard, it is okay to not have two visuals because we can envision a random elephant and person. Otherwise these little peices of clues set about I would quite hope could be around for the audience to feast on to be able to also solve the puzzle before it is handed to them.

    ReplyDelete
  2. I'm sure there are some things, such as the dead bird, that would be better left off stage and to the imagination. However, I know that I have no idea what any sort of "knotting" or "stitching" is when it comes to sewing, so having the visual aids on stage would help me understand a lot of what the women were talking about. Though having a minimalistic and more theatrical production would give us a chance to imagine our own response to it all and see the world through the women's eyes, it seems as though some people would leave the play with no idea of what had just happened because they couldn't see or visualize the things happening on stage.

    ReplyDelete
  3. I agree that there are certain things that can be left to interpretation but with this play especially it is hard because if the important details are left out, the production could be a disaster. I feel that you would have to be very careful in deciding which visuals should be kept and which shouldn't. I don't think a production with none of the visuals would work at all though.

    ReplyDelete